A woman crosses the canvas in mid-motion. Her dress opens into a vibrant trail, and the background—caught between pinks and cool greens—seems to give way as she passes, as if the space briefly comes undone.

Beside her, a dark silhouette introduces tension: a shadow, an echo, a presence. It doesn’t stop her; it follows.

In In Transit, body and environment blur. There’s no stable edge: movement erases boundaries, and the figure feels as if she’s not only moving through the painting, but altering the air around her. The work asks to be followed with the eye, as if the impulse continues beyond the canvas.